Benjamin Looker, Ph.D.
Benjamin Looker, Ph.D.
Adorjan Hall 112
Ph.D. in American Studies, Yale University (2009)
M.A. and M.Phil. in American Studies, Yale University (2005 & 2006)
M.A. in Cities, Globalisation, and Culture, Dept. of Sociology, Goldsmiths College, University of London (2001)
A.B. in Urban Studies and in Music, Washington University in St. Louis (2000)
ASTD 540 Metropolitan America
ASTD 593 Jazz, Cities, & Social Movements
ASTD 550 The Practice of American Studies
ASTD 644 From Satchmo to Strangelove: Cold War Cultural Politics and the "American Century"
Ben works in the areas of twentieth-century urban social and cultural studies, jazz history, and postwar U.S. cultural history. He is the author of several academic articles and reviews on urban cultural history, as well as the book "Point from which creation begins": The Black Artists' Group of St. Louis (St. Louis: Missouri Hist. Soc. Press, 2004; dist. Univ. Missouri Press), which narrates the history of a radical and influential urban arts collective of the 1960s. His current book project, under contract with the University of Chicago Press, is tentatively titled A Nation of Neighborhoods: Cities, Communities, and Democracy in the Modern American Imagination, 1940-1980. This work examines competing ways in which the city neighborhood has been imagined, as an idea and an ideal, in U.S. arts, popular culture, and political discourse.
See Ben's complete C.V. here.
Ben serves on the Faculty Council of the College of Arts & Sciences, the Advisory Board for the university's Micah House program, and the interdepartmental Urban Workshop Team. He also represents the American Studies Department as board member for the Mid-America American Studies Association (MAASA). In the past, he has been a member of the SLU Mellon Faculty Development Grants Selection Committee (2009-11), the DesPeres Hall Learning Studio Advisory Committee (2010), and two departmental faculty search committees. Before joining SLU, he organized the two-day symposium and concert series "Music and Musicians of the Black Artists' Group in St. Louis" (2006), and he served as a volunteer union organizer for the Graduate Employees & Students Organization (GESO) at Yale University. Ben currently organizes an irregular departmental series of lectures, walks, and panels on local urban spaces and culture.
Book: "Point from which Creation Begins": The Black Artists' Group of St. Louis (St. Louis: Missouri Historical Society Press, 2004). [Reviewed in J. American History, J. African American History, J. Royal Musical Association, Choice, AllAboutJazz.com, and Mo. Historical Review.]
Article: "Visions of Autonomy: The New Left and the Neighborhood Government Movement of the 1970s," Journal of Urban History 38, no. 3 (May 2012): 577-598.
Article: "Microcosms of Democracy: Imagining the City Neighborhood in World War II-Era America," Journal of Social History 44, no. 2 (December 2010): 351-378.
Review essay: "Revisiting City and Race," Canadian Review of American Studies 33, no. 2 (2003): 171-183.
Essay: "Exhibiting Imperial London: Empire and the City in Late Victorian and Edwardian Guidebooks," Critical Urban Studies: Occasional Papers Series (London: Centre for Urban and Community Research, Goldsmiths College, 2002).
Article: "‘Poets of Action': The St. Louis Black Artists' Group, 1968-1972," Gateway-Heritage: The Quarterly Journal of the Missouri Historical Society 22, no. 1 (Summer 2001): 16-27.
Liner notes: Liner-note essay for LP reissue of Black Artists Group, In Paris, Aries 1973 (Berlin: Rank & File Records, March 2011).
Individual reviews: Review of Groping toward Democracy: African American Social Welfare Reform in St. Louis, 1910-1949, by Priscilla A. Dowden-White, Missouri Historical Review 106, no. 4 (May 2012): 245-246. Review of Contagious Divides: Epidemics and Race in San Francisco's Chinatown, by Nayan Shah, Gateway-Heritage 23, no. 3 (Winter 2002/03): 53.