Past Exhibitions
Browse the chronological list of past exhibitions at the Saint Louis University Museum of Contemporary Art (MOCRA), or search for a specific exhibition. Click “View” for more information about an exhibition. If you need further information about an exhibition, please contact us.
Tom Kiefer: Pertenencias / Belongings
September 03, 2021 to December 19, 2021
In July 2003, fine art photographer Tom Kiefer started working part-time as a janitor and groundskeeper at a U.S. Customs and Border Protection processing facility near Ajo, Arizona. In mid-2007, he was given permission to collect food confiscated from migrants and asylum seekers and donate it to a local food pantry. He was deeply moved at finding personal belongings in the trash bins along with the food. These items, necessary for hygiene, comfort and survival, were deemed “non-essential” or “potentially lethal” and seized and discarded by officials. Kiefer began to quietly rescue what items he could, and he resigned from his job in August 2014 to focus on photographing and documenting them in an ongoing project titled El Sueño Americano / The American Dream.
I felt it was important to honor and show the beauty of these objects that were taken away from people. And what better way to do it than just to present them in a beautiful way. . . . Everything had an intent and purpose. And it belonged to someone. | Tom Kiefer
Kiefer approaches the objects he photographs without pretense. The people who carried these items to the Mexico-U.S. border are bodily absent, but their stories are encoded in the objects, so that Kiefer’s “portraits” of individual objects prompt viewers to imagine the lives and journeys of the people who carried them. Meanwhile, his “mass assemblies” evoke both the great numbers of people arriving from diverse points of origin and the failure of convoluted immigration policies and systems.
Pertenencias: Recuperando lo sagrado en objetos fronterizos / Belongings: Recovering the Sacred in Objects from the Border places Kiefer’s photographs within a broader consideration of the human need to migrate, driven by the need not only to survive, but to flourish in body, mind and spirit. This human drive often draws on the power of hope and faith, which are reflected and manifested in many of the objects Kiefer documents. The exhibition invites reflection on what it means to possess and what it means to lose, and what it means to belong: how we define who is included and who is excluded, how we distinguish between the sacred and the ordinary, and how those boundaries are enforced.
Pertenencias / Belongings features 80 photographs, many newly created for the exhibition, and 6 mantas bordadas (embroidered textiles) selected from among the dozens of handcrafted cloths Kiefer recovered at the CBP facility. A significant feature of the exhibition is a series of photographs of backpacks that evoke the Christian devotional practice of the Stations of the Cross. Backpacks are an essential element of the migrant journey, and Kiefer found a compelling connection between Jesus carrying his cross and migrants carrying all their worldly possessions on their backs across the desert. As visitors walk the perimeter of the gallery—which was originally a chapel—contemplating each backpack, they will engage a rhythm of movement and meditation similar to the traditional Stations of the Cross.
Pertenencias / Belongings and related programming was co-sponsored by Lived Religion in the Digital Age, with the generous support of the SLU College of Arts and Sciences and the Henry Luce Foundation.
Tom Kiefer was born in Wichita, KS, in 1959, and resides in Ajo, Arizona. Kiefer’s photographic projects explore the infrastructure and cultural landscapes of the United States, blending fine art and documentary modes. His previous project “Journey West Exhibit” (2007) chronicled the landscape, structures, and cultural markers connecting the Arizona cities of Phoenix, Tucson, and Ajo. Kiefer’s work has been exhibited across the US, including the Fuller Craft Museum (Boston, MA); the Saugatuck Center for the Arts (Saugatuck, MI); the Northlight Gallery at Arizona State University (Phoenix, AZ); ArtsXchange (St. Petersburg, FL); and ArtPrize 2018 in Grand Rapids, Michigan. In 2015, Kiefer was included in LensCulture’s Top 50 Emerging Photographers and Photolucida’s Top 50 Critical Mass lists, and has been featured in news publications nationally and internationally.
This work is about humanity, and the inhumanity of how we treat others, those who are the most vulnerable. . . . This work is about the preciousness and the importance of everybody, how we’re interconnected—we need each other. | Tom Kiefer
above:
Tom Kiefer, Pink Camo, 2021. Archival digital prints, each 28 x 28 in. Courtesy of the artist/REDUX Pictures.
Related programming
Religion and Complex Social Issues Series: Panel on Immigration, Justice, and Religion
Sobrevida: A Conversation with Prof. Daisy Vargas
Conversations with Photographer Tom Kiefer
Video walk-through of “Pertenencias / Belongings”
A short video about the theme of “Libations” in “Pertenencias / Belongings”
A short video about the role of embroidered textiles in “Pertenencias / Belongings”
A short video about the role of backpacks in “Pertenencias / Belongings”
Exhibition |
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Bernard Maisner: The Hourglass and the Spiral |
Georges Rouault: Miserere et Guerre |
Erika Diettes: Sudarios |
Regina DeLuise: Vast Bhutan – Images from the Phenomenal World |
Calligraphic Art of Salma Arastu |
Thresholds: MOCRA at 20 - Part Two, The Second Decade |
Rebecca Niederlander: Axis Mundi |
Jordan Eagles: BLOOD / SPIRIT |
Thresholds: MOCRA at 20 - Part One, The First Decade |
Archie Granot: The Papercut Haggadah |
A Tribute to Frederick J. Brown |
Patrick Graham: Thirty Years – The Silence Becomes the Painting |
Adrian Kellard: The Learned Art of Compassion |
Good Friday: The Suffering Christ in Contemporary Art |
James Rosen: The Artist and the Capable Observer |
MOCRA at Fifteen: Good Friday |
Michael Byron: Cosmic Tears |
Miao Xiaochun: The Last Judgment in Cyberspace |
MOCRA at Fifteen: Pursuit of the Spirit |
Oskar Fischinger: Movement and Spirit |
The Celluloid Bible: Marketing Films Inspired by Scripture |
Arshile Gorky: The Early Years – Drawings and Paintings, 1927–1937 |
Andy Warhol: Silver Clouds |
Junko Chodos: The Breath of Consciousness |
DoDo Jin Ming: Land and Sea |
Rito, Espejo y Ojo / Ritual, Mirror and Eye: Photography by Luis González-Palma, Maria Magdalena Campos-Pons, and Pablo Soria |
Radiant Forms in Contemporary Sacred Architecture: Richard Meier and Steven Holl |
Daniel Ramirez: Twenty Contemplations on the Infant Jesus, an Homage to Oliver Messiaen |
Avoda: Objects of the Spirit – Ceremonial Art by Tobi Kahn |
Tony Hooker: The Greater Good – An Artist's Contemporary View of the Tuskegee Syphilis Study |
Andy Warhol: Silver Clouds, an encore presentation |
Andy Warhol's Silver Clouds: A Fortieth Anniversary Celebration |
Lewis deSoto: Paranirvana |
Robert Farber: A Retrospective, 1985–1995 |
Bernard Maisner: Entrance to the Scriptorium |
Tobi Kahn: Metamorphoses |
MOCRA: The First Five Years |
Steven Heilmer: Pietre Sante | Holy Stones |
Utopia Body Paint Collection and Australian Aboriginal Art from St. Louis Collections |
Manfred Stumpf: Enter Jerusalem |
Frederick J. Brown: The Life of Christ Altarpiece |
Edward Boccia: Eye of the Painter |
Consecrations Revisited |
Keith Haring: Altarpiece – The Life of Christ |
Ian Friend: The Edge of Belief – paintings, sculpture, and works on paper, 1980–1994 |
Eleanor Dickinson: A Retrospective |
Post-Minimalism and the Spiritual: Four Chicago Artists |
Consecrations: The Spiritual in Art in the Time of AIDS |
Sanctuaries: Recovering the Holy in Contemporary Art, Part One |
Body and Soul: The Alvin Ailey American Dance Theater |
Transformations: Highlights from the MOCRA Collection |
Georges Rouault: Miserere et Guerre |
Georges Rouault: Miserere et Guerre |
Georges Rouault: Miserere et Guerre |
Georges Rouault: Miserere et Guerre |
Visible Conservation |
Highlights from the MOCRA Collection |
Highlights from the MOCRA Collection |
Highlights from the MOCRA Collection: The Romero Cross |
Highlights from the MOCRA Collection |
Highlights from the MOCRA Collection |
Highlights from the MOCRA Collection |
Highlights from the MOCRA Collection |
Highlights from the MOCRA Collection |
Highlights from the MOCRA Collection |
Highlights from the MOCRA Collection |
Sanctuaries: Recovering the Holy in Contemporary Art, Part Two – Three Major Installations |
Beyond Words: Three Contemporary Artists and the Manuscript Tradition |
MOCRA: 25 |
Gary Logan: Elements |
Gratitude |
Surface to Source |
Quiet Isn't Always Peace |
Tom Kiefer: Pertenencias / Belongings |
Double Vision: Art from Jesuit University Collections |
Lesley Dill: Dream World of the Forest |
Jordan Eagles: VIRAL\VALUE |
This Road Is the Heart Opening: Selections from the MOCRA Collection |
Vicente Telles and Brandon Maldonado: Cuentos Nuevomexicanos |
Open Hands: Crafting the Spiritual |
Selections from the MOCRA Collection |