Past Exhibitions
Browse the chronological list of past exhibitions at the Saint Louis University Museum of Contemporary Art (MOCRA), or search for a specific exhibition. Click “View” for more information about an exhibition. If you need further information about an exhibition, please contact us.
Junko Chodos: The Breath of Consciousness
March 18, 2005 to July 31, 2005
The Breath of Consciousness is Japanese-American artist Junko Chodos' first Midwest exhibition. It surveys the predominant themes and media in her oeuvre. The exhibition title references a recurrent image in her work, the lungs. In part originating in her personal history (a childhood battle with tuberculosis), this prevalent metaphor also takes on universal resonances, signaling the significance of breathing in the world's faith traditions--as a connection to life itself, and as a vehicle to practices of meditation, contemplation, and inner awareness.
The earliest works included in the exhibition are exquisitely complex drawings of roots and dead flowers that evince both microcosmic and macrocosmic scale: Chodos elicits worlds of complexity from mundane subjects, leading the viewer to notice anatomical, architectural and theological associations. Similarly, Chodos' collages combine a density of myriad elements in a barely held stasis. It is a dynamic of turbulence and repose, as details are resolved into larger systems: ribcages and lungs arise from images of engines and horseshoe crabs, layered with quotations from Renaissance paintings.
The exhibition includes select works from the 1991 series, Requiem for an Executed Bird, a powerful body of work that delves into the horror of violence, using a bird as a transformational symbol of innocence that falls prey to injustice and cruelty, but ultimately achieves hope and resurrection. The survey is completed by large scroll-like paintings on mylar. These works reveal the influence of the strong gestures of the American Abstract Expressionists and the spare, concentrated aesthetic of the calligraphers of Chodos' native Japan.
Junko Chodos was born Junko Takahashi in Tokyo, Japan, in 1939. She grew up in a highly cultured and well-educated family amid the turbulence of World War II. Early experience of the destructiveness of war would profoundly affect both her life and her art. She pursued art from a young age and enrolled at Tokyo's prestigious Waseda University, where she majored in Eastern and Western art history and the philosophy of art. She also took an interest in the writings of German Jewish philosopher Martin Buber. She moved to the United State in 1968 for studies at the State University of New York, Buffalo, and married lawyer and author Rafael Chodos in 1971. They reside in Topanga, California.
Chodos' studies and unusual personal history have lent her work a global perspective. Her evolving artistic output reveals the influence of Paul Klee, Willem de Kooning, Jackson Pollock, Joseph Cornell, Pieter Bruegel the Elder, Mathis Grünewald, the Italian Futurists, and the master calligraphers of Japan. She has an appreciation of a number of the world's great religions, including Buddhism, Shinto, Christianity, and Judaism, an awareness complemented by curiosity about technology, biology, and the natural environment. Chodos has had solo exhibitions in America, Germany, and Japan.
Junko Chodos stands out among today's artists for her unflinching look at life in its fullest sense. She embraces the sacred and the profane, uncovers beauty in ugliness, and maintains an openness to discovering hope and peace in a world of struggle and hardship. | Terrence Dempsey, SJ
above:
Installation view of Junko Chodos: The Breath of Consciousness at MOCRA, 2005. Photo by Jeffrey Vaughn.
Read the Riverfront Times review of Junko Chodos: The Breath of Consciousness.
Exhibition |
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Bernard Maisner: The Hourglass and the Spiral |
Georges Rouault: Miserere et Guerre |
Erika Diettes: Sudarios |
Regina DeLuise: Vast Bhutan – Images from the Phenomenal World |
Calligraphic Art of Salma Arastu |
Thresholds: MOCRA at 20 - Part Two, The Second Decade |
Rebecca Niederlander: Axis Mundi |
Jordan Eagles: BLOOD / SPIRIT |
Thresholds: MOCRA at 20 - Part One, The First Decade |
Archie Granot: The Papercut Haggadah |
A Tribute to Frederick J. Brown |
Patrick Graham: Thirty Years – The Silence Becomes the Painting |
Adrian Kellard: The Learned Art of Compassion |
Good Friday: The Suffering Christ in Contemporary Art |
James Rosen: The Artist and the Capable Observer |
MOCRA at Fifteen: Good Friday |
Michael Byron: Cosmic Tears |
Miao Xiaochun: The Last Judgment in Cyberspace |
MOCRA at Fifteen: Pursuit of the Spirit |
Oskar Fischinger: Movement and Spirit |
The Celluloid Bible: Marketing Films Inspired by Scripture |
Arshile Gorky: The Early Years – Drawings and Paintings, 1927–1937 |
Andy Warhol: Silver Clouds |
Junko Chodos: The Breath of Consciousness |
DoDo Jin Ming: Land and Sea |
Rito, Espejo y Ojo / Ritual, Mirror and Eye: Photography by Luis González-Palma, Maria Magdalena Campos-Pons, and Pablo Soria |
Radiant Forms in Contemporary Sacred Architecture: Richard Meier and Steven Holl |
Daniel Ramirez: Twenty Contemplations on the Infant Jesus, an Homage to Oliver Messiaen |
Avoda: Objects of the Spirit – Ceremonial Art by Tobi Kahn |
Tony Hooker: The Greater Good – An Artist's Contemporary View of the Tuskegee Syphilis Study |
Andy Warhol: Silver Clouds, an encore presentation |
Andy Warhol's Silver Clouds: A Fortieth Anniversary Celebration |
Lewis deSoto: Paranirvana |
Robert Farber: A Retrospective, 1985–1995 |
Bernard Maisner: Entrance to the Scriptorium |
Tobi Kahn: Metamorphoses |
MOCRA: The First Five Years |
Steven Heilmer: Pietre Sante | Holy Stones |
Utopia Body Paint Collection and Australian Aboriginal Art from St. Louis Collections |
Manfred Stumpf: Enter Jerusalem |
Frederick J. Brown: The Life of Christ Altarpiece |
Edward Boccia: Eye of the Painter |
Consecrations Revisited |
Keith Haring: Altarpiece – The Life of Christ |
Ian Friend: The Edge of Belief – paintings, sculpture, and works on paper, 1980–1994 |
Eleanor Dickinson: A Retrospective |
Post-Minimalism and the Spiritual: Four Chicago Artists |
Consecrations: The Spiritual in Art in the Time of AIDS |
Sanctuaries: Recovering the Holy in Contemporary Art, Part One |
Body and Soul: The Alvin Ailey American Dance Theater |
Transformations: Highlights from the MOCRA Collection |
Georges Rouault: Miserere et Guerre |
Georges Rouault: Miserere et Guerre |
Georges Rouault: Miserere et Guerre |
Georges Rouault: Miserere et Guerre |
Visible Conservation |
Highlights from the MOCRA Collection |
Highlights from the MOCRA Collection |
Highlights from the MOCRA Collection: The Romero Cross |
Highlights from the MOCRA Collection |
Highlights from the MOCRA Collection |
Highlights from the MOCRA Collection |
Highlights from the MOCRA Collection |
Highlights from the MOCRA Collection |
Highlights from the MOCRA Collection |
Highlights from the MOCRA Collection |
Sanctuaries: Recovering the Holy in Contemporary Art, Part Two – Three Major Installations |
Beyond Words: Three Contemporary Artists and the Manuscript Tradition |
MOCRA: 25 |
Gary Logan: Elements |
Gratitude |
Surface to Source |
Quiet Isn't Always Peace |
Tom Kiefer: Pertenencias / Belongings |
Double Vision: Art from Jesuit University Collections |
Lesley Dill: Dream World of the Forest |
Jordan Eagles: VIRAL\VALUE |
This Road Is the Heart Opening: Selections from the MOCRA Collection |
Vicente Telles and Brandon Maldonado: Cuentos Nuevomexicanos |
Open Hands: Crafting the Spiritual |
Selections from the MOCRA Collection |